Twitter vs. the Facebook status update

Danah Boyd · October 27, 2009 · Short URL: https://vator.tv/n/b73

Differences and use cases for the Tweet or Facebook status update

The functional act of constructing a tweet or a status update is very similar. Produce text in roughly 140 characters or less inside a single line text box and click a button. Voila! Even the stream based ways in which the text gets consumed look awfully similar. Yet, the more I talk with people engaged in practices around Twitter and Facebook, the more I'm convinced these two things are not actually the same practice. Why? Audience.

There are two critical structural differences between Facebook and Twitter that are essential to understand before discussing the practices: 1) social graph directionality; 2) conversational mechanisms.

Facebook's social graph is undirected. What this means is that if I want to be Friends with you on Facebook, you have to agree that we are indeed Friends. Reciprocity is an essential cultural practice in Facebook (although they are trying to rip out the functional requirement as it relates to status updates, arguably to compete with Twitter). Twitter, on the other hand, is fundamentally set up to support directionality. I can follow you without you following me. Sure, I can't DM you in this case, but I'm still consuming your updates. Yes, yes, yes, privacy settings complicate both of these statements. But for the majority of users of each site, this is the way it goes. Stemming from this are a whole lot of social norms about who's following who and who's consuming who's content. It's pretty clear that the Celebrity will get followed without reciprocating on Twitter, but there's also a tremendous opportunity for everyday individuals to develop a following. It's not just the Celebrities who are following different people than the people who follow them; it's nearly everyone (except for those who think that auto-follow bots relieve social tensions).


On Facebook, status updates are placed on one's Wall. This allows anyone else (among those with permission) to comment on the update. This creates a conversational space as it is quite common for people to leave comments on updates. Conversely, on Twitter, to reply to someone's tweet, one produces an at-reply on their own stream. Sure, the interlocutor can read it in their stream of at-replies, but it doesn't actually get seen or produced on their own page. Thus, a person's Twitter page is truly the product of their self-representation, not the amalgamation of them and their cohort.

So, practices.. how does this affect practices?

Those using Facebook are primarily concerned with connecting with those that they know (or knew in high school). The status updates are an invitation to conversation, a way of maintaining social peripheral awareness among friends and acquaintances. They're about revealing life as it happens so as to be part of a "keeping up" community.


Arguably, Twitter began this way, if only because the geeks and bloggers who were among the early adopters were a socially cohesive group. Yet, as the site has matured, the practices have changed (and I've watched a whole lot of early adopters who weren't part of the professional cohort leave). For the most visible, Twitter is a way of producing identity in a public setting. This is where you see personal branding as central to the identity production going on there. It's still about living in public, but these folks are aware of being seen, of having an audience if you will. Twitter also enables a modern incarnation of parasocial relations. Sure, there are one-sided relationships on Facebook too, but they are far more the norm on Twitter. I can follow the details of a Celebrity's life without them ever knowing I exist. At the same time, there's the remote possibility of them responding which is what complicates traditional parasocial constructs. Angelina Jolie could never see me reading about her in the gossip mags and commenting on her latest escapades, but, if she were on Twitter, she could sense my watching her and see my discussion of her. That's part of what is so delightfully tempting for Celebs.

In short, the difference between the two has to do with the brokering of status. With Facebook, the dominant norm is about people at a similar level of status interacting. On Twitter, there's all sorts of complicated ways in which status is brokered. People are following others that they respect or worship and there's a kind of fandom at all levels. This is what Terri Senft has long called "micro-celebrity." Alice Marwick has been extending Terri's ideas to think about how audience is brokered on Twitter (paper coming soon). But I think that they're really critical. What makes Twitter work differently than Facebook has to do with the ways in which people can navigate status and power, follow people who don't follow them, at-reply strangers and begin conversations that are fundamentally about two individuals owning their outreach as part of who they are. It's not about entering another's more private sphere (e.g., their Facebook profile). It's about speaking in public with a targeted audience explicitly stated.

As you can see, I'm not quite there with my words on this just yet, but I feel the need to push back against the tendency to collapse both practices into one. How audience and status is brokered really matters and differentiates these two sites and the way people see and navigate this.

One way to really see this is when people on Twitter auto-update their Facebook (guilty as charged). The experiences and feedback on Twitter feel very different than the experiences and feedback on Facebook. On Twitter, I feel like I'm part of an ocean of people, catching certain waves and creating my own. Things whirl past and I add stuff to the mix. When I post the same messages to Facebook, I'm consistently shocked by the people who take the time to leave comments about them, to favorite them, to ask questions in response, to start a conversation. (Note: I'm terrible about using social media for conversation and so I'm a terrible respondent on Facebook.) Many of the people following me are the same, but the entire experience is different.

Over the last few years, I've watched a bunch of self-sorting. Folks who started out updating on Twitter and moved to Facebook and vice versa. The voices they take on don't change that much, but they tend to find one medium or the other more appropriate for the kinds of messaging they're doing. One or the other just "fits" better. When I ask them why, they can't really tell me. Sometimes, they talk about people; sometimes they talk about privacy issues. But most of the time, one just clicks better for reasons they can't fully articulate.

Different social media spaces have different norms. You may not be able to describe them, but you sure can feel them. Finding the space that clicks with you is often tricky, just as finding a voice in a new setting can be. This is not to say that one space is better than the other. I don't believe that at all. But I do believe that Facebook and Twitter are actually quite culturally distinct and that trying to create features to bridge them won't actually resolve the cultural differences. And boy is it fun to watch these spaces evolve.

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What is Twitter?

Twitter is an online information network that allows anyone with an account to post 140 character messages, called tweets. It is free to sign up. Users then follow other accounts which they are interested in, and view the tweets of everyone they follow in their "timeline." Most Twitter accounts are public, where one does not need to approve a request to follow, or need to follow back. This makes Twitter a powerful "one to many" broadcast platform where individuals, companies or organizations can reach millions of followers with a single message. Twitter is accessible from Twitter.com, our mobile website, SMS, our mobile apps for iPhone, Android, Blackberry, our iPad application, or 3rd party clients built by outside developers using our API. Twitter accounts can also be private, where the owner must approve follower requests. 

Where did the idea for Twitter come from?

Twitter started as an internal project within the podcasting company Odeo. Jack Dorsey, and engineer, had long been interested in status updates. Jack developed the idea, along with Biz Stone, and the first prototype was built in two weeks in March 2006 and launched publicly in August of 2006. The service grew popular very quickly and it soon made sense for Twitter to move outside of Odea. In May 2007, Twitter Inc was founded.

How is Twitter built?

Our engineering team works with a web application framework called Ruby on Rails. We all work on Apple computers except for testing purposes. 

We built Twitter using Ruby on Rails because it allows us to work quickly and easily--our team likes to deploy features and changes multiple times per day. Rails provides skeleton code frameworks so we don't have to re-invent the wheel every time we want to add something simple like a sign in form or a picture upload feature.

How do you make money from Twitter?

There are a few ways that Twitter makes money. We have licensing deals in place with Google, Yahoo!, and Microsoft's Bing to give them access to the "firehose" - a stream of tweets so that they can more easily incorporate those tweets into their search results.

In Summer 2010, we launched our Promoted Tweets product. Promoted Tweets are a special kind of tweet which appear at the top of search results within Twitter.com, if a company has bid on that keyword. Unlike search results in search engines, Promoted Tweets are normal tweets from a business, so they are as interactive as any other tweet - you can @reply, favorite or retweet a Promoted Tweet. 

At the same time, we launched Promoted Trends, where companies can place a trend (clearly marked Promoted) within Twitter's Trending Topics. These are especially effective for upcoming launches, like a movie or album release.

Lastly, we started a Twitter account called @earlybird where we partner with other companies to provide users with a special, short-term deal. For example, we partnered with Virgin America for a special day of fares on Virginamerica.com that were only accessible through the link in the @earlybird tweet.

 

What's next for Twitter?

We continue to focus on building a product that provides value for users. 

We're building Twitter, Inc into a successful, revenue-generating company that attracts world-class talent with an inspiring culture and attitude towards doing business.

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